

The main monitors sound more distant and have a bigger ‘hole’ in the centre of the stereo field, and although they deliver a bigger scale, it ultimately stands to reason that headphones won’t really ever deliver the physical impact that main monitors would.įar more sonic variation is created by the head tracking. The different monitor options do sound quite different to each other, with a nicely upfront directional sound from the nearfields and a more balanced image from the midfields.

The room ambience is also fixed, although switching between each set of monitors influences things, replicating the mix room. This is different to the mathematical model approach used for Virtual Mix Room and means there’s no way to adjust speaker positions, and no forward or back head tracking. It’s also worth noting that the plugin has a specific ‘sweet spot’, captured using impulse responses. Waves doesn’t actually specify the monitors used, but Abbey Road Studio 3’s main monitors are well known to be soffit-mounted Questeds (the Q412 system), and the surround monitors are the floor-standing ‘headed’ B&W 800D, both of which match the graphics on the plugin, as you’d expect. When using the stereo version of the plugin, you get a choice of three pairs of monitors (Near, Mid and Far), while for the surround plugin, the monitors default to the midfields. What marks this plugin out from Virtual Mix Room, of course, is that it incorporates the Studio 3 control room ambience and loudspeakers. However, the Headphone EQ option conveniently includes calibration curves that help to smooth out the frequency response for a handful of preset headphone models. Accurately judge mix depth, balance and panning over headphones, get transparent sound that preserves your original tone, mix for 5.1 and 5.0 surround on your regular stereo headphones, personalize the plugin to your individual head measurements, and use with real-time head tracking for enhanced realism.Much like with Virtual Mix Room, Abbey Road Studio 3 lets you use any headphones you like for the process, as it’s not primarily trying to ‘correct’ them to some kind of standard. Use Nx with real-time head tracking – taking advantage of your computer’s camera or the Nx Head Tracker unit – and enjoy the enhanced realism of being in the Virtual Mix Room, anywhere and everywhere you go. What you hear is your mix, exactly the way you want it to sound – only now you have a more accurate way to monitor it on headphones. Best of all, Nx does all this without coloring your sound. Want to mix for 5.1 or 5.0 surround on your regular stereo headphones? Nx lets you do exactly that – a true revolution in the world of surround mixing. By delivering the natural listening experience of a physical room, Nx also makes the headphone experience more comfortable and ear-friendly over long periods of time. By letting you hear the depth and stereo spread you would be hearing on external monitors, Nx gives you an accurate representation of how your headphone mix will translate to loudspeakers. Nx finally bridges the gap between monitoring on speakers and monitoring on headphones.
Waves nx plugin review professional#
Insert the plugin on your master buss, and hear all the elements of your mix accurately laid out in space, just as you would in the sweet spot of a great-sounding professional mix room. Nx turns your headphones into a more reliable mixing and monitoring tool by letting you hear everything with real-world dimension, rather than flat in your head. Powered by Waves’ groundbreaking Nx technology, Nx lets you hear, on headphones, the same natural depth, natural reflections, and panoramic stereo image you would be hearing from speakers in an actual room. Nx is a virtual monitoring plugin that simulates the ideal acoustics of a high-end mix room – inside your headphones.
